honeyBOOM will be setting up shop for our friend’s dance documentary screening for The Jitterbugs: Pioneers of the Jit. Join us for these free shows at the Campus Martius park!

CAMPUS MARTIUS PRESENTS:
SUMMER IN THE PARK
HARDCORE DETROIT & THE JITTERBUGS

Documentary Screening
Friday, June 24, 2011
Showtime at 7pm
Campus Martius Park
800 Woodward Ave. Detroit, MI
Free Admission

www.campusmartiuspark.org

HARDCORE DETROIT PRESENTS
THE JITTERBUGS: PIONEERS OF THE JIT
-Documentary Screening-

Friday, April 8th, 2011
Charles H. Wright Museum of African-American History.
315 E. Warren Ave. Detroit, MI 48202
-Free to the Public-
Doors open at 7:30pm | Documentary at 8:00pm
~ with Q&A following ~

Including live performances by:
Hardcore Detroit Dance Crew & Monica Blaire

*Saturday, April 9th, 2011 | Jit Workshop | 2pm-3pm 
The N’Namdi Center
52 E. Forest Ave. Detroit, MI 48201

www.Hardcore313.com

A one-of-a-kind documentary highlighting the founders of Detroit’s leading dance legacy: the jit. Combining historical footage and exclusive interviews, get a glimpse of the Jitterbugs’ past, career, and how a key contemporary is carrying the torch, featuring a bonus instructional on jit steps and style.


Hip Hop’s ultimate pioneer, the late, great, Dilla Dawg’s life is reflected through the video documentary, “Still Shining” directed by B. Kyle Atkins. The doc is to be released online on February 7, 2011 at The J Dilla Project & features rare footage of the legend himself, friends, fam, & musical colleagues of the same league. Turn it up louder! R.I.P.

www.thejdillaproject.com

PINK GANG

January 4, 2009

India’s ‘pink’ vigilante women

By Soutik Biswas
BBC News, Banda

They wear pink saris and go after corrupt officials and boorish men with sticks and axes.

The several hundred vigilante women of India’s northern Uttar Pradesh state’s Banda area proudly call themselves the “gulabi gang” (pink gang), striking fear in the hearts of wrongdoers and earning the grudging respect of officials.

The pink women of Banda shun political parties and NGOs because, in the words of their feisty leader, Sampat Pal Devi, “they are always looking for kickbacks when they offer to fund us”.

Two years after they gave themselves a name and an attire, the women in pink have thrashed men who have abandoned or beaten their wives and unearthed corruption in the distribution of grain to the poor.

They have also stormed a police station and attacked a policeman after they took in an untouchable man and refused to register a case.

Poorest

“Nobody comes to our help in these parts. The officials and the police are corrupt and anti-poor. So sometimes we have to take the law in our hands. At other times, we prefer to shame the wrongdoers,” says Sampat Pal Devi, between teaching a “gang” member on how to use a lathi (traditional Indian stick) in self defence.

We are a gang for justice
Sampat Pal Devi

Banda is at the heart of the blighted region that is Bundelkhand, one of the poorest parts of one of India’s most populous states.

It is among the poorest 200 districts in India which were first targeted for the federal government’s massive jobs-for-work programme. Over 20% of its 1.6 million people living in 600 villages are lower castes or untouchables. Drought has parched its already arid, single-crop lands.

Banda road (Pic: Soutik Biswas)
Banda is one of the poorest districts in Uttar Pradesh

To make matters worse, women bear the brunt of poverty and discrimination in Banda’s highly caste-ridden, feudalistic and male dominated society. Dowry demands and domestic and sexual violence are common.

Locals say it is not surprising that a women’s vigilante group has sprung up in this landscape of poverty, discrimination and chauvinism.

Sampat Pal Devi is a wiry woman, wife of an ice cream vendor, mother of five children, and a former government health worker who set up and leads the “pink gang”.

“Mind you,” she says, “we are not a gang in the usual sense of the term. We are a gang for justice.”

Uproot the corrupt

Her seeds of rebellion were sown very early on when in face of her parents’ resistance to send her to school, she began writing and drawing on the walls, floors and dust-caked village streets.

She finally ended up going to school, but was married off when she was nine in a region where child marriages are common. At 12, she went to live with her husband and at 13 she had her first child.

Sampat Devi (Pic: Soutik Biswas)
Sampat Pal Devi says nobody helps the poor

To keep the home fires burning, Sampat Devi began to work as a government health worker, but she quit after a while because her job was not satisfying enough.

“I wanted to work for the people, not for myself alone. I was already holding meetings with people, networking with women who were ready to fight for a cause, and was ready with a group of women two years ago,” she says.

Sitting outside a home in Attara, Sampat Devi waves her calloused hands, breaks into a rousing song to “uproot the corrupt and be self reliant”, and animatedly talks to women – and men – who flock to her with their problems.

A mother brings in her weeping daughter who has been thrown out by her husband demanding 20,000 rupees from her parents.

“He married me for the love of money,” sobs Malti.

Sampat Devi tells her “gang” that they will soon march to the girl’s house and demand an explanation from the husband. “If they don’t take her back and keep her well, we will resort to other measures,” she says.

No handouts

The pink sorority is not exactly a group of male-bashing feminists – they claim they have returned 11 girls who were thrown out of their homes to their spouses because “women need men to live with”.

That is also why men like Jai Prakash Shivhari join the “gulabi” gang and talk with remarkable passion about child marriages, dowry deaths, depleting water resources, farm subsidies and how funds are being stolen in government projects.

“We don’t want donations or handouts. We don’t want appeasement or affirmative action. Give us work, pay us proper wages and restore our dignity,” he says.

The women in the “gulabi gang” echo the same sentiment – but Sampat Devi has a separate agenda for women.

‘Gulabi gang’ members learning to fight with sticks (Pic: Soutik Biswas)
The women thrashed a policeman in protest against the arrest of a poor man

“Village society in India is loaded against women. It refuses to educate them, marries them off too early, barters them for money. Village women need to study and become independent to sort it out themselves,” she says.

Where do the pink women go from here?

They already claim to have done some work in combating crime and corruption in the area. Last year, Sampat Devi contested the state polls as an independent candidate and mustered only 2,800 votes.

“Joining politics is not my chosen way to help people. We will keep up our good work, so the state does not take us for granted,” she says.

In the badlands of Uttar Pradesh where nothing seems to work for the poor, this itself is a laudable aim.

MOTORCITY CRIBS FT. SINTEX

December 3, 2008

Detroit weekly street magazine METROTIMES is featuring my main man SINTEX this week, & I am very proud of my boo. Check it out for yo’self. If you live in the area, don’t forget to pick up your copy by TODAY TUESDAY DECEMBER 2!

Motor City Cribs

SinTex’s crib, where he keeps the notebooks

By Doug Coombe — Even if you don’t know who the hell Detroit’s master graffiti artist SinTex is, you’ve seen his work. It’s all over Detroit, even gracing the Black History Mobile 101 Museum.

The 26-year-old SinTex (born Brian Glass) has been rocking the spray paint for more than 10 years. Dude studied commercial art at Detroit’s Crockett Technical High School (where he also captained the golf team!) and went on to study at Pratt and CCS. SinTex’s kinda like Glenn Barr’s long-lost brother, but one who grew up in Detroit listening to hip hop.

Besides illustration, animation and graffiti art, SinTex recently taught himself 3-D computer rendering and began making wildly imaginative action figures of Detroit hip-hop stars. He’s got one of Phat Kat completed, with action figures of Black Milk, Guilty Simpson and Danny Brown in the works.

His graffiti pieces are typically large, vividly colored and retina-saturating tributes to hip-hop and African American icons, B-boys and B-girls, and the occasional kung fu figure.

“To pull the details off with aerosol you have to work large,” SinTex says. Typically the guy can pull off a floor-to-ceiling piece in a few hours. SinTex pays the bills working (and frequently flying to Europe) for Plutonium G spray paints. His studio’s conveniently around the corner from his Madison Heights digs.

Stored beneath SinTex’s drafting table are more than 100 notebooks filled with years of character sketches. “One of my Crockett teachers told me never to throw out a notebook, because you don’t always appreciate when you have a good idea. Mr. Corbin, if you’re out there, I still got ‘em all.”

more photos


see actual article HERE.

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